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From 1999 until early 2003, however, Han took an extended leave of absence from filmmaking, only appearing occasionally on TV commercials.By the time of his return in the film Double Agent -- a spy film in which he stars with Ko So-young, which was a disappointment at the box-office -- he had lost his status as the most popular actor in the Korean film industry.
Interview excerpts: What are your criteria for selecting a film? The script should be somewhat unconventional; that's how I get engaged in a film.
His oldest surviving feature is Kim's masterpiece The Housemaid (1960), which continues to amaze audiences to the present day.
As an adult, Ahn's filmography resembles a list of Korean cinema's greatest achievements.
Later that year Art Museum by the Zoo, which presented a more down-to-earth side of the actress, saw her win over more critical praise for her acting abilities.
Throughout this period, Shim consistently topped magazine polls as the most popular actress in the film industry.
Interview excerpts: What kind of film would you most like to make? August 17, 1964) began his career in the early 1990's as a dubbing artist, before being cast in the TV drama Moon Over Seoul.
"Something provocative and urban, with a decadent feel to it. Something like Beatrice Dalle in Betty Blue, perhaps. By the late 90s he had become one of the most popular actors in Korea, starring in a series of both highly acclaimed and extremely popular films including Lee Chang-dong's debut film Green Fish, the groundbreaking gangster comedy No.
Im Kwon-taek's Strokes of Fire, in which he played a mentor to the lead character, became the first Korean film to win a prize at the Cannes film festival (Best Director).
Ahn was also the obvious choice to play the nation's chief executive in the romantic comedy The Romantic President.
In Tell Me Something, her star power combined with Han Seok-kyu to create one of the most highly anticipated works in Korean film history (though most viewers ultimately expressed disappointment at the film's convoluted narrative).
The following year she appeared in Korea's first Dogme film Interview, which would end up being her last appearance.
First gaining wide notice in Lee Jang-ho's acclaimed Fine Windy Day and Im Kwon-taek's artistic breakthrough Mandala, he also starred in some of the biggest hits of the 1980s by Bae Chang-ho (Whale Hunting, Deep Blue Night, Our Joyful Young Days), and in debut works by acclaimed filmmakers Park Kwang-su (Chilsu and Mansu), Jang Sun-woo (The Age of Success) and Lee Myung-se (Gagman).